Jesse Greenberg

The posturing of the kiosk can be observed in Greenberg’s “Megabinxes,” which topically hem in its horizontal balconies and tacky lights to display relentlessly multiplied offerings called “Touchables.” These “Touchables” interestingly share an associative aspect with serial commodity objects, but lack the packaging in favor for hand-to-hand communication.





In a rough draft of the conceptual underpinnings for his contribution to The Queue, the artist plans to build an enclosed structure that will resemble a cave/hermitage where visitors can seek a minor form of privacy.